

About Us But Not About Us
Synopsis
A literature professor meets his student at a restaurant and, over the course of one meal, secrets and lies will be unearthed and the sinister connection to a tragedy will be revealed.
Genre: Drama
Status: Released
Director: Jun Robles Lana
Main Cast
User Reviews
Brent Marchant
How well do we understand the situations we find ourselves in? Most of us probably think we have a pretty good handle on them much of the time. But, when a gay, middle-aged Filipino college professor (Romnick Sarmenta) meets with one of his students (Elijah Canlas) whom he hasnât seen for a while but toward whom he had shown preferential, nurturing treatment at one time, what starts out as a pleasant lunchtime reunion slowly turns into a series of troubling eye-opening revelations. Told through what seems like a seemingly innocent, somewhat innocuous conversation between the duo, writer-director Jun Robles Lanaâs latest opens like a latter-day version of âMy Dinner with Andreâ (1981) but slowly turns unexpectedly dark and sinister, shedding a whole new light on the now-surprisingly deceptive opening act. As a result, what starts out as a seemingly harmless, slightly tedious encounter becomes engrossingly captivating as the true nature of each of the characters is revealed. The pictureâs multilayered narrative grows ever more absorbing the further it plays out, showing us just how easily it can be for us to be deceived by circumstances, including in situations where we think we know the score but donât. It also presents viewers with an intriguing look at how we can be mirrors of one another but never recognize the similarities until theyâre squarely shoved in our face. (And who would have thought that watching two people eat a meal and talk could be so engaging?) âAbout Us But Not About Usâ is a delicious little cinematic nugget that will likely leave audience membersâ mouths agape by pictureâs end, especially when looking back at how things start out and how they eventually wind up, putting a delightfully surprising spin on the filmâs skillful incorporation of ambiguously cynical elements whose meanings donât become fully apparent until the credits roll. Donât be quick to give up on this one; itâs worth the wait to see what it delivers â and how well it does so.













